No one has described the Portugese family as it lived in colonial Brazil better than Debret. He portrays a family of a certain category going out for a walk. The father, with his somewhat Napoleonic, bicorn hat goes in front, a patriarch lost in the mists. Behind him, single file, comes the entire family. And finally, this is really the non-apartheid Portuguese, come the black servants, who are also going out for a walk. The black ladies come out with a kind of turban on their head, and with a child on either side.
Something that is really lacking is manorial society, made up of the family plus the servants that work in the family household (…) It amounts to a true adoption diminutae rationis within the family.